The Colour Line: Archie Moore & W.E.B Du Bois
- When 16 Jan - 6 Mar 2021
Cnr Oxford St & Greens Rd Paddington NSW 2021
TUES TO SAT, 10AM–5PM
+61 2 8936 0888
Presented in association with Sydney Festival
‘The Colour Line’ brings together a presentation of new and recent works by Kamilaroi/Brisbane artist Archie Moore in dialogue with drawings by African American scholar and activist W.E.B Du Bois (1868–1963).
Archie Moore’s ongoing interests include key signifiers of identity—skin, language, smell, home, flags—as well as the borders of intercultural understanding and misunderstanding, including the broader concerns of racism. For this project, Moore reflects on ideas of empirical evidence from the perspective of Indigenous Australia. His commissioned work begins by revisiting The Australian Constitution of 1901 that stated that Aboriginal people were to be no part of statistical information. Alongside this new work, Moore will recreate and update his ‘Family Tree’ 2018 wall drawing, a sprawling chalkboardstyle genealogy that complicates historical diagrams drawn up by anthropologists.
For the American section of the Paris Exposition Universelle in 1900, Du Bois led the creation of over 60 hand-drawn charts, maps and infographics, that visualised data on the economic and social progress of African Americans since emancipation in the state of Georgia. These extraordinary examples of 19th-century data visualisation gather together information on the numbers of people who owned land, who were once slaves, who had kitchen appliances and professional degrees and other markers of class.
UNSW Galleries is proud to be working with Sydney Festival to reconnect and reinvigorate Australia’s visual arts with its Australian Made program. Visit www.sydneyfestival.org.au to explore the program. Archie Moore’s work is assisted by the UNSW Galleries Commissioner's Circle.
Banner: Archie Moore, ‘Family Tree’ (detail) 2018. Conté crayon on blackboard paint. Installation view: Griffith University Art Museum, Brisbane. Image courtesy: the artist and The Commercial, Sydney. Photograph: Carl Warner
Tile: Archie Moore, ‘Venn diagram’ 2018. Conté crayon on blackboard paint. Image courtesy: the artist and The Commercial, Sydney. Photograph: Carl Warner