Dr Paul Thomas, is a Professor of Fine Art , UNSW Art and Design. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference 2010,2012 and 2014. In 2000 Paul instigated and was the founding Director of the Biennale of Electronic Arts Perth 2002, 2004.
Peter Sharp’s research over twenty five years has consistently been about the visual exploration and understanding of how nature works and fits together through the lense of abstraction.
His art covers a wide range of media including painting, drawing, sculpture, printmaking and video.
Kurt Schranzer is a Sydney-based artist and lecturer, primarily working within the discipline of drawing. Finding aesthetic similitudes with 20th century European modernism, he has drawn widely from both art and literature, including the works of Paul Klee, Jean Arp, de Chirico, Max Ernst, Lorca, Genet, and Cocteau. His reduced, architectural drawing style challenges the assertion that the gesture or ‘expressive mark’ is drawing’s quintessence.
For more than 25 years, Professor Stephen Loo has researched, taught and practiced in the transdisciplinary nexus of design, philosophy, art, performance and science. He has published widely in architecture and design theory, biophilosophy, posthumanist ethics, ecological humanities and experimental computational and digital thinking. He holds a PhD in architecture and philosophy from the University of Sydney. Recent books include Deleuze and Architecture (ed. with Helene Frichot 2012) and Poetic Biopolitics (ed.
Yu-Chieh Li is the Judith Neilson Postdoctoral Fellow in Contemporary Art at UNSW Art & Design. She is working on a book on post-socialism, collective practice, and audience participation in Post-Mao Chinese art. Li worked as an Andrew W. Mellon C-MAP Fellow at the Museum of Modern Art, New York, and as an adjunct researcher at Tate Research Centre: Asia.
Dr George (Poonkhin) Khut is an artist and interaction-designer working across the fields of electronic art, design and health. His body-focussed interactive and participatory artworks use biosensing technologies to re-frame experiences of embodiment, health and subjectivity. Research interests include tangible and embodied interaction, participatory art and Arts-in-Health.
Born in Kapunda, South Australia in 1961, Michael Kempson has developed an extensive printmaking practice in Australia and the Asia/Pacific region through his work as an artist, curator, master printer and academic. Kempson is currently a Senior Lecturer and Convenor of Printmaking Studies at The University of New South Wales Art & Design in Sydney, a visiting Professor at the Xi’an Academy of Fine Art in China and the International Member at Large for the US based Southern Graphics Council International for 2014 to 2016.
Professor Howard's training nationally and internationally in art, art education and film and television production, has provided strong foundations for a career that encompasses artistic, academic and administrative leadership roles in the area of experimental media production. The subject matter of his research is concerned with the relationship between military and civilian populations.
