UNSW ART & DESIGN
Artworks by Emma are held internationally in seven public collections in four countries, including the Hospital Trust for Scotland, who purchased two artworks commissioned by the Scottish Arts Council for the exhibition Wordworks. She is one of fifteen founding Scientia Education Fellows, appointed by the DVC and PVC for a five year period to establish the Scientia Education Academy. In 2014 Associate Emma was awarded both the Art & Design Faculty Dean's Sustained Teaching Excellence, and the UNSW Vice-Chancellor's Teaching Excellence Awards. Previously in 2008 she won the Dean's Award for Innovative Teaching for her two University wide creative thinking online courses.
Emma has held a number of senior administrative roles including Program Director of the Bachelor of Design degree for five years, three terms as Presiding Member of Faculty, and Deputy President of the UNSW Academic Board. She researches across two distinct areas. In her teaching she investigates theories of mapping and modelling thinking, and new developments in creative thinking processes as applied to drawing, design and other disciplines. In her practice she explores the relationships between words, objects and memory in mixed media drawings, installations and bookworks.
In addition to teaching creative thinking to undergraduate and postgraduate students in nine Faculties at UNSW, Emma also teaches content relating to the influence of scientific illustration techniques on design processes, including those used in the film industry. In researching this she has visited Skywalker Ranch, Pixar and Animal Logic (at Fox Film Studios). Her interview of Star Wars concept designer Iain McCaig has been viewed more than 80,000 times on YouTube (see link below). She has been involved in Executive Education with engineers at Thiess, design staff at the Natural History Museum, London, The Agile Leader course at UTS, and others. Emma researched and worked for three years as a consultant to Arup 2010-2013 to integrate creative thinking processes into their Staff Development initiatives and internal Design School, including a Moodle Course offered to their 10,000+ employees around the world. Most recently she has convened and lectured the large Master of Design core course Entrepreneurship, Innovation and Creativity.
Emma is a Fellow of the Royal Society of Arts, London and Visiting Fellow at the Centre for Drawing, Wimbledon College of Art. In 2011 Emma was Guest Editor of the TRACEY Journal on Drawing Knowledge, Loughborough University, and in 2012 was Chair of the Drawing Knowledge Conference where she was one of four Keynote speakers. In 2013-2016 she has taught Tools for Creative Thinking to postgraduate students in the Design for Social Innovation course at the Centre for Social Impact, and given guest lectures to PhD students in Engineering and at the INSPIRE NSW symposium. In the 2014 October issue of The Blue Notebook: Journal for Artists' Books, University of the West of England, (Vol 9 No 1) Emma published an article on A Place Where Things Meet: Creative and Conceptual Blending. In 2016 she was one of a team of academics who developed and worked on the MOOC Transmedia Storytelling: Narrative worlds, emerging technologies, and global audiences. The international course explores content relating to the practice of designing, sharing, and participating in a cohesive story experience across multiple traditional and digital delivery platforms - for entertainment, advertising and marketing, or social change. By 2017 the course had attracted 9622 enrolments: https://www.coursera.org/learn/transmedia-storytelling
In 2006 she was awarded one of the seven prizes in the International Biennial of Drawing, Europe. The three selected drawings were subsequently chosen for the touring Best of the International Drawing Biennial exhibition, which was exhibited at the International Currents Gallery, Chicago, USA in 2007 and in four other European locations. Emma was subsequently selected for the 2008, 2010 and 2012 International Biennials of Drawing, and her work was featured in the book of Laureates published in 2015. Her work has also been selected for the Adelaide Perry Prize for Drawing and the Jacaranda Acquisitive Drawing Prize in Australia.
Emma has exhibited in 8 countries (Norway, Italy, France, USA, UK, Germany, Czech Republic and Australia) and was selected as the Artist in Residence at the Royal Botanic Gardens, Sydney, which continued her drawing series exploring endangered plant species. This culminated in a solo exhibition at the Red Box Gallery in the Domain, Sydney which was held in February-March 2009, where 27 mixed media drawings were displayed. The exhibition, called Ascendant and Descendant explored the impact of climate change on rare and endangered Australian flora, and reflected the research work undertaken by scientists at the RBG. In 2017 Emma is in the final year of her PhD at Sydney University, which extends this research with work developed from visits to Kew, the Millennium Seed Bank, the Royal Botanic Gardens Edinburgh and other locations.